i-dreamed-i-was:

cosenangel:

Credit/reblogable versions: [x] [x] [x] [x] [x] [x] [x] [x] 

Enjoy~

I need to write librarian aus for all my fave ships

hey look, a master collection of text posts that ACTUALLY CREDITS THE ORIGINALS!

four for you, cosenangel

scjacka:

Speaking of amazing fictional ladies

chronicarus:

Spiders with water droplet hats are something I really needed to know about.

preoccupiedpepper:

What is a creation event….

Creation Entertainment is a company that puts on “events” that are kind of like small conventions but for a specific fandom. They do things for Star Trek, Twlight, Supernatural etc. Well they’re doing a Supernatural event in Seattle the same weekend as Emerald City Comicon and it’s causing a lot of drama because people are having to choose between the two. 

Creation events are crazy expensive (hundreds of dollars for photos or autographs with actors, on top of really expensive admission prices), but Creation has exclusive contracts with the actors so that they don’t appear at any events other than Creation Events. 

I just don’t find Creation Events appealing. 

I went to a Supernatural creation event in 2009. Super expensive, and unless you forked out the dough for gold or platinum tickets ($200+) you got stuck at the back of the hall. Even when the panel wasn’t a popular one— 26 empty rows in front of me for the art direction panel and we weren’t allowed to move closer. Fucking bullshit.

doctorscienceknowsfandom:

rainewynd:

em-kellesvig:

thesmilingfish:

em-kellesvig:

thesmilingfish:

dorothyoz39:

thesmilingfish:

thesmilingfish:

Quite possibly the most unfriendly looking behind the scenes picture ever. 

I can’t find the link, but I remember reading something about Joe arguing with Mallozzi about Sheppard not knowing there was an all female SG team under his command was disrespectful to his character and that Sheppard would know who were on what teams and that it was a hit to his character all for a stupid joke. Turns out Joe F. was right because the ‘joke’ fell flat and left fans perplexed at Sheppard lack of knowledge.
I could be misremembering though, so hello world at large please feel free to correct me.

I remember reading exactly the same thing!
Reading about Atlantis is a constant reminder of how much Mallozzi and Co screwed up by ignoring Joe. This is just one example, killing Weir is probably the biggest of them…

Joe fought them over the killing off Elizabeth and Carson as well. Joe has said at conventions this was about the time that they stopped telling him things - and so probably it’s close to the end of them stopping listening to him as well. It’s frustrating because at that point Joe was a lot more invested in the show than the actual show runners who were already planning out SGU. 

Another problem Flanigan had with Mallozzi around this time was the issue of behind the scenes photographs. As you can see with this one, it has the MGM watermark. The actors’ contracts clearly stated that only MGM and SciFi had permission to take BTS photos and use them for promo purposes. 
Mallozzi, however, had started taking photos of his own of the cast and crew and was posting them on his personal blog without their permission, without recompense, for his own benefit and profit, and in direct violation of the actors’ contracts.
Naturally, the cast and crew were upset about Mallozzi using these photos to drive traffic to his personal blog but no one really wanted to call him on it given that Mallozzi and Paul Mullie were co-executive producers and had been since Season 2 (during Season 1, they were consulting producers with Michael Greenburg and N. John Smith as Executive producers). 
So cast and crew quietly asked Flanigan to speak to Mallozzi on their behalf. Whether they asked him because he was the union shop foreman, or the show’s star, or they thought he’d be the most persuasive is open to conjecture. They asked and Flanigan spoke to Mallozzi, who didn’t take it well at all.
He did stop taking photos on set without permission — he certainly never took another photo of Joe Flanigan — but when he did, and when he posted said photos to his blog, he made a point of saying (with truculent asides) that he had permission from the actors, that he wasn’t trying to profit from them, and (I’m paraphrasing here) wasn’t it sad that some people had to spoil the fun for everyone.
It was all downhill for Flanigan and Sheppard from there.
Yes, TPTB stopped listening to Flanigan, and Sheppard was not only disrespected as a character but virtually pushed aside throughout Season 5. Not just because of Universe but because Mallozzi held a grudge. It’s all there on his blog. I read it in real time and was appalled by Mallozzi’s childish behavior. 
Mallozzi violated the actors’ contracts, got called on it, and took it out on the one person who said something to him, even though Flanigan was speaking for them all. Sad.

Well, damn. I’d forgotten about that. Does it make me a bad person that I am gleeful that Mallozzi and co. have, for the most part, found zero work in the entertainment industry since SGU went off the air?
This just adds to the pissoffedness I had when I found out that Joe F. had a group of investors and was trying to negotiate with MGM to do SGA. From what I’ve pieced together it was probably around the same time that Devilin and Emmerich were in meetings for their own Stargate movie reboot - and MGM decided to go with two failed producers. (Seriously, they have more misses than hits in their catalog.) 
So now we’re sitting here with a dilemma. The reboot we never wanted. The reboot we were hoping for - with someone besides the old PTB at the helm. If the movie does badly does that put a kibosh on any more Stargate for the foreseeable future? If the movie does well does that mean we’ll just get more of the movies that completely ignore 17 years worth of television canon?
Someone smarter than me, which is pretty much anyone reading this, needs to explain to me what the best course of action is for fandom in general with this. Petitions aren’t going to do shit - I know that much. We’re pretty much guaranteed that MGM didn’t give the exclusive rights to the franchise to D&E - this is one of their biggest franchises and they’re going to hold on to it tightly. But what can we do to show MGM what we really want? It needs to be a concentrated effort and not spread out to include SG-1 and SGU because that’s just too much to ask for off the bat I would think. Specifics would be best I would imagine. But at the end of the day from MGM’s POV it’s all about the bottom line. Will it make money? That’s all they really care about. How do we go about, as a fandom, engaging the studio and revitalizing the fandom?
Wow. This reblogging of a picture because I was having private conversations with someone about “Whispers” really took off in a heavy yet delightfully unexpected way. 

The thing is: it doesn’t matter if an SGA reboots makes money. MGM believes it won’t. Wright and Cooper had no faith in it. Mallozzi and Pullie had no faith in it. They had no faith in the fans. 
"This is not the demographic we’re looking for." — Brad Wright, as he canceled SGA to make way for SGU.
They wanted the male 18-25 demo, the emo boy gamers in Mom’s basement. What they didn’t realize, what they still don’t realize, is that Mom’s the old school sci fi reader. Mom writes the fanfic. Mom has the money.
But they don’t know how to write to our demographic. They never did. They tried to put Amanda Tapping in a push-up bra and a tank top and she refused, thank whatever gods you chose. Because that’s how they write women: for men. For adolescent men. Not for women or people of color. 
So, no, they won’t listen to us. That’s why the petitions didn’t work. That’s why email campaigns won’t work. We’re not the demographic they want, even though we’re the demographic with the money to spend, with the ability to invest, and the interest to do so. Nearly two decades of time, energy, and money later, and they still don’t get that their fan base is mostly women, 25 and up. 
If they aren’t willing to hire female writers, listen to professional women storytellers, why the hell would they listen to us?

Which is just…ignoring the fact that the best shows, period, appeal to everyone. What makes Star Trek enduring, to me, is that it made you feel like you could dream to be any of the crew (and I’m not counting the reboot here). When SGA killed off Weir, they killed off a lot of my interest in the show because it said they didn’t want that character at all or anyone like her.


They don’t want us, because most of that stuff about being motivated by the bottom line and profits is just a cover story. What they really want is to do something that impresses their friends — and by “friends” I mean “powerful white men they *wish* were their friends”. It’s all, *all* about performing masculinity — and because our culture has a subtractive definition of masculinity, any interest by women automatically makes a thing (activity, art, posture, emotion, whatever) less masculine. So it’s *really important* to not just appeal to young men, but to drive away women, especially older women.
I have also heard it said that the reason the advertising industry focuses so relentlessly on males, especially younger males, is that they are suckers. They are more influenced by brands and ads than women are, and more likely to impulse buy.
Women are taught to shop — by our mothers, peers, and culture. It’s a skill we’re expected to practice and hone, to become canny consumers in a consumer culture. Because shopping skills are gendered feminine, being brand-loyal and impulsive becomes gendered masculine, which makes men even more prone to be suckers as consumers. And that means ads aimed at men are more likely to pay off.

doctorscienceknowsfandom:

rainewynd:

em-kellesvig:

thesmilingfish:

em-kellesvig:

thesmilingfish:

dorothyoz39:

thesmilingfish:

thesmilingfish:

Quite possibly the most unfriendly looking behind the scenes picture ever. 

I can’t find the link, but I remember reading something about Joe arguing with Mallozzi about Sheppard not knowing there was an all female SG team under his command was disrespectful to his character and that Sheppard would know who were on what teams and that it was a hit to his character all for a stupid joke. Turns out Joe F. was right because the ‘joke’ fell flat and left fans perplexed at Sheppard lack of knowledge.

I could be misremembering though, so hello world at large please feel free to correct me.

I remember reading exactly the same thing!

Reading about Atlantis is a constant reminder of how much Mallozzi and Co screwed up by ignoring Joe. This is just one example, killing Weir is probably the biggest of them…

Joe fought them over the killing off Elizabeth and Carson as well. Joe has said at conventions this was about the time that they stopped telling him things - and so probably it’s close to the end of them stopping listening to him as well. It’s frustrating because at that point Joe was a lot more invested in the show than the actual show runners who were already planning out SGU. 

Another problem Flanigan had with Mallozzi around this time was the issue of behind the scenes photographs. As you can see with this one, it has the MGM watermark. The actors’ contracts clearly stated that only MGM and SciFi had permission to take BTS photos and use them for promo purposes. 

Mallozzi, however, had started taking photos of his own of the cast and crew and was posting them on his personal blog without their permission, without recompense, for his own benefit and profit, and in direct violation of the actors’ contracts.

Naturally, the cast and crew were upset about Mallozzi using these photos to drive traffic to his personal blog but no one really wanted to call him on it given that Mallozzi and Paul Mullie were co-executive producers and had been since Season 2 (during Season 1, they were consulting producers with Michael Greenburg and N. John Smith as Executive producers). 

So cast and crew quietly asked Flanigan to speak to Mallozzi on their behalf. Whether they asked him because he was the union shop foreman, or the show’s star, or they thought he’d be the most persuasive is open to conjecture. They asked and Flanigan spoke to Mallozzi, who didn’t take it well at all.

He did stop taking photos on set without permission — he certainly never took another photo of Joe Flanigan — but when he did, and when he posted said photos to his blog, he made a point of saying (with truculent asides) that he had permission from the actors, that he wasn’t trying to profit from them, and (I’m paraphrasing here) wasn’t it sad that some people had to spoil the fun for everyone.

It was all downhill for Flanigan and Sheppard from there.

Yes, TPTB stopped listening to Flanigan, and Sheppard was not only disrespected as a character but virtually pushed aside throughout Season 5. Not just because of Universe but because Mallozzi held a grudge. It’s all there on his blog. I read it in real time and was appalled by Mallozzi’s childish behavior. 

Mallozzi violated the actors’ contracts, got called on it, and took it out on the one person who said something to him, even though Flanigan was speaking for them all. Sad.

Well, damn. I’d forgotten about that. Does it make me a bad person that I am gleeful that Mallozzi and co. have, for the most part, found zero work in the entertainment industry since SGU went off the air?

This just adds to the pissoffedness I had when I found out that Joe F. had a group of investors and was trying to negotiate with MGM to do SGA. From what I’ve pieced together it was probably around the same time that Devilin and Emmerich were in meetings for their own Stargate movie reboot - and MGM decided to go with two failed producers. (Seriously, they have more misses than hits in their catalog.) 

So now we’re sitting here with a dilemma. The reboot we never wanted. The reboot we were hoping for - with someone besides the old PTB at the helm. If the movie does badly does that put a kibosh on any more Stargate for the foreseeable future? If the movie does well does that mean we’ll just get more of the movies that completely ignore 17 years worth of television canon?

Someone smarter than me, which is pretty much anyone reading this, needs to explain to me what the best course of action is for fandom in general with this. Petitions aren’t going to do shit - I know that much. We’re pretty much guaranteed that MGM didn’t give the exclusive rights to the franchise to D&E - this is one of their biggest franchises and they’re going to hold on to it tightly. But what can we do to show MGM what we really want? It needs to be a concentrated effort and not spread out to include SG-1 and SGU because that’s just too much to ask for off the bat I would think. Specifics would be best I would imagine. But at the end of the day from MGM’s POV it’s all about the bottom line. Will it make money? That’s all they really care about. How do we go about, as a fandom, engaging the studio and revitalizing the fandom?

Wow. This reblogging of a picture because I was having private conversations with someone about “Whispers” really took off in a heavy yet delightfully unexpected way. 

The thing is: it doesn’t matter if an SGA reboots makes money. MGM believes it won’t. Wright and Cooper had no faith in it. Mallozzi and Pullie had no faith in it. They had no faith in the fans. 

"This is not the demographic we’re looking for." — Brad Wright, as he canceled SGA to make way for SGU.

They wanted the male 18-25 demo, the emo boy gamers in Mom’s basement. What they didn’t realize, what they still don’t realize, is that Mom’s the old school sci fi reader. Mom writes the fanfic. Mom has the money.

But they don’t know how to write to our demographic. They never did. They tried to put Amanda Tapping in a push-up bra and a tank top and she refused, thank whatever gods you chose. Because that’s how they write women: for men. For adolescent men. Not for women or people of color. 

So, no, they won’t listen to us. That’s why the petitions didn’t work. That’s why email campaigns won’t work. We’re not the demographic they want, even though we’re the demographic with the money to spend, with the ability to invest, and the interest to do so. Nearly two decades of time, energy, and money later, and they still don’t get that their fan base is mostly women, 25 and up. 

If they aren’t willing to hire female writers, listen to professional women storytellers, why the hell would they listen to us?

Which is just…ignoring the fact that the best shows, period, appeal to everyone. What makes Star Trek enduring, to me, is that it made you feel like you could dream to be any of the crew (and I’m not counting the reboot here). When SGA killed off Weir, they killed off a lot of my interest in the show because it said they didn’t want that character at all or anyone like her.

They don’t want us, because most of that stuff about being motivated by the bottom line and profits is just a cover story. What they really want is to do something that impresses their friends — and by “friends” I mean “powerful white men they *wish* were their friends”. It’s all, *all* about performing masculinity — and because our culture has a subtractive definition of masculinity, any interest by women automatically makes a thing (activity, art, posture, emotion, whatever) less masculine. So it’s *really important* to not just appeal to young men, but to drive away women, especially older women.

I have also heard it said that the reason the advertising industry focuses so relentlessly on males, especially younger males, is that they are suckers. They are more influenced by brands and ads than women are, and more likely to impulse buy.

Women are taught to shop — by our mothers, peers, and culture. It’s a skill we’re expected to practice and hone, to become canny consumers in a consumer culture. Because shopping skills are gendered feminine, being brand-loyal and impulsive becomes gendered masculine, which makes men even more prone to be suckers as consumers. And that means ads aimed at men are more likely to pay off.

lavidapoliglota:

writing tip: if in doubt add more dragons. if not in doubt add more dragons. dragons dragons dragons. “but it wouldn’t work out” I hear you say YOU ARE WRONG AND NEED THREE MORE DRAGONS “but it’s a romantic drama” you tell me well tough cookies friend you’re gonna need like eight more dragons. nine more. like maybe twelve. DRAGONS

spacebromance:

"Everyone knows this."

funwrecker:

galaxyspeaking:

Petra Pan, the Girl who wouldn’t grow up : a masterpost

Hi guys ! I know an old Petra Pan masterpost exists somewhere, but it’s actually not mine, it’s reposted, so if you could just… not reblog it and maybe reblog / like this one instead, it would be super nice and super cool of you :3 ! The other one has like…. 87k of notes so it’s really cool to know that so many of you liked my art, but it’s not even credited so I didn’t know it was so popular before a friend of mine showed it to me ?

Besides, this one really has the full series -with Ms. Flee and the lost girls included- and I would be really happy if they could get the love they deserve !

I love this but am sad that sprite is not called TinkerBILL

funwrecker:

galaxyspeaking:

Petra Pan, the Girl who wouldn’t grow up : a masterpost

Hi guys ! I know an old Petra Pan masterpost exists somewhere, but it’s actually not mine, it’s reposted, so if you could just… not reblog it and maybe reblog / like this one instead, it would be super nice and super cool of you :3 ! The other one has like…. 87k of notes so it’s really cool to know that so many of you liked my art, but it’s not even credited so I didn’t know it was so popular before a friend of mine showed it to me ?

Besides, this one really has the full series -with Ms. Flee and the lost girls included- and I would be really happy if they could get the love they deserve !

I love this but am sad that sprite is not called TinkerBILL

studdiction:

BULLET JOURNALING 

Watch the original video here ( x )
Before I saw this video, I always kept a book for my homework. I use grid paper and it’s perfect for BJ… Heh. After watching this, it helped me to start developing a system I’m currently satisfied with. 

To-do apps don’t work with me. It always just sits on my screen with a notification and swiping something doesn’t feel as satisfying as crossing it out victoriously with a pen. ^_^

  1. LEGENDS ( you can also do it like thisHelps you quickly figure out what certain tasks are at a glance. The colours are for my spiraldexes which I will not be discussing unless you guys request it. c:
  2. Pages This is basically what my pages look like. I write the numbers at the lower corners.I also added sticky notes for extra stuff like memorizing my moral definitions. :p
  3. Calendar  ( x ) If you watch the video, you’re supposed to list out the dates but I prefer both, so I draw a calendar and paste it in my book and list out all the really appointments/stuff I have to do in my drawn calendar and some not-important-but-still-worth-noting notes in my list-calendar.
  4. Index Just write down the pages as shown in the video. Pretty simple. 
  5. Other things you can include: I also stick some motivational images on the last page and stuff like that. Spiraldexes can be fun but they tend to be a little time consuming to draw or at least, I can seem to use them effectively. :c
  1. Have pages especially for grocery lists/ grades/ etc. 
  2. Page full of favourite recipes
  3. Stick an envelope at the back cover and fill it with motivational inspiration!
  4. Stick printables ( x ) ( x ) ( x ) ( x )
  5. Start a goal/wishlist!

 Good luck! :* 

A message from Anonymous
Hi there! I have a character whose skin color is dark, but she lives in a world where skin/fur/scale color doesn't matter that much. Her species is in the middle of the societal hierarchy. How would I write a character like this?

writingwithcolor:

Fantasy Worlds and Skin Color

I’d suggest just noting her skin color (see "Words for Skin Tone"), and go about your business. If she or others notice or comment on her skin color, it wont be in a derogatory or othering manner. Not every story, fantasy or no, has to focus or include racism.

Do note, however, that if this character is meant to represent a particular PoC, say Middle-Eastern or Black, there are harmful depictions and stereotypes and such that affect these people in real life, so be mindful that you don’t perpetuate those within your writing.

More reading:

~Mod Colette

"Why do white people own so many pets?
Because we’re not allowed to own people anymore.
*****
What is the scariest thing about a white person in prison?
You know he did it.
*****
how many Chicago cops does it take to change a light bulb? None, they just beat the room for being black.”
*****
A good looking 50 year old white man is trying to get laid on reality TV. What show are you watching?
To catch a predator.
*****
Why do white girls travel in groups of three or five?
They can’t even
*****
What do you call 64 white people in a room? A full blooded Cherokee."

from various reddit threads

at dinner last night, a coworker was talking about hanging out with his white friends and getting fed up with the racist jokes, and asked them to tell a white people joke.  nobody had any, so he googled and found these. after a few of them, people were a lot less comfortable.

white folks, next time you hear a racist joke, maybe lead with one of these in response.  tag this “I’m white” when you reblog it, if you are.

(via cuterpillar)